Published by Custom House on August 25, 2020
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The author of the #1 New York Times bestseller Orphan Train returns with an ambitious, emotionally resonant novel about three women whose lives are bound together in nineteenth-century Australia and the hardships they weather together as they fight for redemption and freedom in a new society.
Seduced by her employer’s son, Evangeline, a naïve young governess in early nineteenth-century London, is discharged when her pregnancy is discovered and sent to the notorious Newgate Prison. After months in the fetid, overcrowded jail, she learns she is sentenced to “the land beyond the seas,” Van Diemen’s Land, a penal colony in Australia. Though uncertain of what awaits, Evangeline knows one thing: the child she carries will be born on the months-long voyage to this distant land.
During the journey on a repurposed slave ship, the Medea, Evangeline strikes up a friendship with Hazel, a girl little older than her former pupils who was sentenced to seven years transport for stealing a silver spoon. Canny where Evangeline is guileless, Hazel—a skilled midwife and herbalist—is soon offering home remedies to both prisoners and sailors in return for a variety of favors.
Though Australia has been home to Aboriginal people for more than 50,000 years, the British government in the 1840s considers its fledgling colony uninhabited and unsettled, and views the natives as an unpleasant nuisance. By the time the Medea arrives, many of them have been forcibly relocated, their land seized by white colonists. One of these relocated people is Mathinna, the orphaned daughter of the Chief of the Lowreenne tribe, who has been adopted by the new governor of Van Diemen’s Land.
In this gorgeous novel, Christina Baker Kline brilliantly recreates the beginnings of a new society in a beautiful and challenging land, telling the story of Australia from a fresh perspective, through the experiences of Evangeline, Hazel, and Mathinna. While life in Australia is punishing and often brutally unfair, it is also, for some, an opportunity: for redemption, for a new way of life, for unimagined freedom. Told in exquisite detail and incisive prose, The Exiles is a story of grace born from hardship, the unbreakable bonds of female friendships, and the unfettering of legacy.
Bantering Books Review
Resilience. Survival. Freedom.
These are just a few of the profound themes woven into The Exiles, Christina Baker Kline’s gorgeous novel of the British colonization of nineteenth-century Australia.
Admittedly, this is a historical time period about which I previously knew nothing. So you can imagine my horror when I learned of Britain’s forcible seizure of the Australian land from its Aboriginal people. It was also equally appalling to discover that the British government would sentence female convicts to disproportionate prison terms in order to exile them to Van Diemen’s Land, an Australian penal colony, where the women were then made to labor off their time, while enduring poor treatment and foul living conditions.
And Kline’s story of three such exiles – British convicts, Evangeline and Hazel, and Mathinna, an orphaned Aboriginal child – captures this brutal history with incisiveness and emotion.
The Exiles is riveting. It’s heartbreaking, but hopeful. And it’s written beautifully, with prose elegant enough to rival poetry.
It was almost a five-star read based on enjoyment alone. But I cannot overlook the fact that Kline fails to ever break the surface of the story. She only skims the exterior, resulting in the characters, history, and setting not feeling fully fleshed.
Had the story been richer, with a greater depth and more rounded characterization, The Exiles would have been epic. One day, it may have even been considered a classic work of historical fiction.
But it’s not. And it won’t ever be. Yet I loved it, nonetheless.